Everything you want to know about franchising

High Frequency Marketing
PR & Media Relations in Spanish - Website positioning

MAKE MONEY PRODUCING CABLE TV ADVERTISING.

If you have cable, you've no doubt seen local advertising on most

of the channels.  There are three ways a local business could

produce a commercial.  One, they could do it themselves(and we

all know what that looks like); two, they could have the local

cable business do it for them (which can also look quite

amateurish); or they can have an outside individual do the

production.  This is where you come in.

If your video skills are top-notch, you can produce excellent

commercials for local businesses at agreeable prices.  If you

have marketing skills, so much the better, but it's not an

absolute requirement.  As long as you can clearly answer the "4

W" questions (who, what, where and why), your commercial will be

good.

The only drawback to this business is that you should use 3/4

inch broadcast format video, which is incompatible with a home

videocamera.  A camera for this type of videotape usually costs

around $3000, less if it's used.  There is a way around this

expense, though.

Most cable stations have what is called a "public access"

channel.  This channel is designed so that individuals and groups

from the community can produce their own shows, to be aired on

the channel.  Contact your local cable company and find out if

they have such a channel.  You should be able to rent time on

their equipment.  This is a real boon when it comes to editing a

tape, as they will have the equipment necessary to make your tape

look professional. They usually offer short courses on using the

equipment, too.

Market your services directly to the small businesses in your

area.  Good prospects are auto dealerships, restaurants,

retailers such as video, book, and computer dealers, and, in

election years, local political candidates (hope they

get elected -- you can expect a return customer!).  Your quality

production, coupled with a reasonable price, should entice

prospects to become customers.

Most commercials will be either thirty-seconds or one minute, and

will be shot on location at the customer's facilities.  If they

provide the copy for the commercial, you only have to direct the

commercial.  Run through the script with whomever will be reading

it, to make sure that it will fit the time without sounding

rushed.  You want to aim for a relaxed, natural sound (unless, of

course, you're working with your local crazy car dealer, in which

case they may want an auctioneer sound!).  Above all, make sure

the script tells WHO the advertiser is, WHAT they do, WHERE they

are, and WHY people should give them their business.  This is

what the customer needs to hear.

Also, make sure your customer is happy with the result.  After

shooting the video, edit it (you should be able to ask someone at

the cable company to help you), then review it with your

customer.  As long as you've presented the advertiser in a good

light, you'll be in good shape.

The first few times you produce a commercial, you may feel like

you're flying by the seat of your pants.  Just relax, use good

common sense, and always remember that the job of the commercial

is to convince the skeptical customer to spend his or her hard

earned money with your client.

You should expect to spend a few hours during the shoot, to get

enough takes for editing.  Get four or five good takes.  That

way, any bad parts that you find when reviewing your taping can

be replaced with a good take.

A thirty- to sixty-second commercial should be able to be shot

and edited in one day.  The first one or two may take a bit

longer, but that's okay.  It's better to take your time when

learning the ropes, rather than rush through and end up with

substandard results.  Because your overhead will be low (if

renting equipment, instead of purchasing), you should be able to

undercut your competition.  In a decent size city, you can expect

to charge between $500 and $1,000.  Longer commercials are more

negotiable, depending upon whether or not you will be asked to

write the script.  The half-hour long "infomercials" have become

a bonanza for many advertisers, and they are a goal you can work

up to, as your skills grow.

Watch commercials and listen to them.  Keep mental notes about

how the advertiser is presented, what message the commercial

gives, and if you feel the commercial is successful.  Incorporate

the best elements of the commercials you see into your own

shoots!

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